Thursday, September 08, 2005

Oh, Miss Maybelle

For those of you who, like me, missed this news last week: the world has lost yet another living musical legend.

“I didn’t say [I shot in] self-defense; I said I shot ‘im in the leg when he was jumpin' over da fence.” –R.L. Burnside

Tuesday, September 06, 2005

Cultural Diversity


Here’s a little funny for all you fans of the Engrish phenomenon. To your left is a picture of a puzzle I recently purchased for my son. Normally, I don’t demand much in the way of “quality” from items I acquire from the Target dollar rack, but this is just sad. Apparently there’s a sweatshop somewhere in Taipei where shoeless children crank out puzzle boards featuring those ever-so delightful farm friends, the chiken and the lamp. It's just wrong on so many levels.

Mid-Week MP3

Lindsey Buckingham is best known as the guitarist and songwriter of 1970s juggernaut Fleetwood Mac. Buckingham cemented a reputation as a master of fingerpicking early in his career, eventually affording him the opportunity to join the group and enjoy all of the spoils of rock stardom. Yet while the radio-friendly pop stylings of the band gave Fleetwood Mac (and Buckingham) much success, Lindsey is also known for his share of commercial flops.

Despite producing three hit singles, Fleetwood Mac’s 1979 double-album Tusk (on which Buckingham served as producer, as well as principal songwriter) served to arouse the ire of bandmates and critics alike due to a lack of commercial success. The bad blood that followed the ambitious and incredibly weird Tusk precipitated the tamer follow-up album Mirage. Following its release, the band went on an extended hiatus, allowing for ample time for each member to dabble in the world of the solo project. Buckingham’s two solo releases, Law and Order and Go Insane, however, were merely moderate successes as compared to Stevie Nicks' Belladona.

Buckingham recorded one more album with the band before a not-so amicable split left him a free agent. Not one to be stymied by the less-than-stellar reception of his first two solo albums, Lindsey spent nearly four years in studio crafting Out of the Cradle. This 1992 outing all but failed commercially, but was his most personal and complex album to date. In the 1990s, Buckingham found his way back to Fleetwood Mac, with no small amount of help from then-president Bill Clinton, but to listen to his solo work, unencumbered by collaborators, offers a glimpse of a musical maverick with a sound and vision all his own.

This week’s MP3 is an offering from Out of the Cradle. This album, as well as Lindsey’s other solo works, are still available, and come highly recommended… but what do you expect from the man who wrote "Holiday Road"?

1modernboy humbly requests that you use these MP3s solely as a means of evaluation. If you like what you hear, please buy records, CDs, t-shirts, or other merchandise to support this band/artist and his/her/their label-mates. Seeing them live probably wouldn’t be a bad idea either.
Should the features artist, or the related label or distributor take issue with my inclusion of the song file, please don’t hesitate to contact me, so that the offending file can be removed.

Lindsey Buckingham -- Countdown

my inner child is a creepy li’l bastard

Halloween, for me, is less a one-night event and more of a holiday season unto itself. It starts around the last day of September and continues until November 2nd, the day when most (if not all) remaining Halloween merchandise has made its way down the retail discount ladder and into the trunk of my car. Each year my quest for the creepiest movie, the cheapest and most delectable candies, and the oddest, most positively garish decorations and party favors is aided by a score of unwitting allies, and this year the fine folks at the Jones Soda company have been the earliest contributors.

Renowned for their non-traditional soft drink flavors, Jones has just released two new limited edition beverages for the season: Caramel Apple and Candy Corn. While Caramel Apple is a tart and sweet delight, it is the Candy Corn flavor that really got me. This viscous, piss-yellow liquid is so loaded with high fructose corn syrup that it positively sings diabetes. You just can’t mess with that! Plus, both flavors (as well as several of Jones’ other non-limited edition, Halloween-y type sodas) come in decorative holiday-themed cans.

Cross your gnarled and hoary fingers and rush to your local Target to score some.

Friday, September 02, 2005

Das Crazy Germans

When I think light-hearted Web apps in the style of American television icons, I immediately think Germany. I mean, who wouldn’t?

Interestingly enough, it is these wacky Europeans who have favored us with South Park Studio (Ver. 2), a South Park character generator. It's a handy-dandy device that uses a simple Flash interface to select various colors and styles of standard South Park body part fare to create your own delightfully profane little ragamuffin. You can even put your character in such famously fictitious locales as "Stark's Pond" or "the bus stop."

Go there now and South Park-ize your friends, family, and favorite member of the Facts of Life cast... (*psssst* Think Tootie!)

Tuesday, August 30, 2005

Mid-Week MP3

A Deadsy fan, or as the band might refer to him: one of the Legions, once described the group to me as “completely unmarketable.” This is both an apt description and a damn shame, as the sound and the very concept of the band is nigh indescribably unique.

Deadsy is probably best known as the pet project of frontman/lyricist/guitarist Elijah Blue Allman, the son of Cher and Dwayne Allman. Rounding out the band is bassist Creature, Dr. Nner on synth, Alec Püre on percussion, and Carlton Megalodon on a delightful little instrument called the Ztar, which is a basically jacked-up MIDI guitar controller. This unique makeup allows for music that is simultaneously dark, ethereal, heavy, and melodic.

A common observer might call the sound Goth (more Type O Negative or Orgy Goth than The Cure or Bauhaus Goth), but the band insists that their low and dissonant style of music is "Undercore." This distinctive aural presentation, coupled with a lyrical predilection for sci-fi, the occult, and odd pop culture references, is only matched by the truly bizarre conceptual image flaunted by the band.

Each member is representative of a color and an element (or “Entity”) which drives society. For their 2002 album Commencement, this took the form of creepy prep school uniform that each member customized with his own shade and sigil. This gave the impression of a cabal of the idle rich freed from the trappings of mortal life to pursue some preternatural, haunting truth. It also made them look quite dapper for a Rock ’n’ Roll band.

The band has recently shifted away from the “boys’ club” look of their previous work as they prepare for the immanent release of their new album Phantasmagore, presumably on Dreamworks Records. Their Web site has change accordingly, and now sports a new take on the ubiquitous television test pattern of old.

In the meantime, Commencement is still available from retailers in its official 2002 incarnation (from whence this track hails) and, for those of you looking for something a little more raw, a less-than-official 1999 release of the album exists that supposedly sports extra tracks. Band merchandise for the new album is also available.

1modernboy humbly requests that you use these MP3s solely as a means of evaluation. If you like what you hear, please buy records, CDs, t-shirts, or other merchandise to support this band/artist and his/her/their label-mates. Seeing them live probably wouldn’t be a bad idea either.
Should the features artist, or the related label or distributor take issue with my inclusion of the song file, please don’t hesitate to contact me, so that the offending file can be removed.

Deadsy -- Winners

Monday, August 29, 2005

And they call it puppy love.

For all of you non-gamer-type parents out there still reeling from the GTA Hot Coffee debacle, I have some alarming news. Your children are again being corrupted by the sinister machinations of “them there video-tronic games.” Witness the Nintendogs Hot Biscuit mod!

Somebody get Jack Thompson on the phone…

Friday, August 26, 2005

The King of Plop

I truly believe that the refrain to Michael Jackson’s Don’t Stop ‘Til You Get Enough is as follows:

Keep on, to the post office. Don’t stop ‘til you get enough.

I may be wrong, though. For twelve years I thought the theme song from Diff’rent Strokes said: A man is born, he’s a manatee. I guess that proves, above all else, that I too am fallible.

Thursday, August 25, 2005

Nintendogs update

After only two days, my Nintendog, a doxie named Hershel, has learned to sit, shake hands, and lie down. He's fairly well behaved and agreeable, for what is essentially a software-based non-dog, and he seems eager to be trained. However his most endearing quality is his irrational fear of sticks. I shit you not.

On a late-night walk we found a decoratively wrapped package containing said stick (which is odd in and of itself, but that’s not the point), and when we got back to our minimally decorated and oh-so modern little flat, I thought I’d throw the stick. Owing to the fact that Hershel is a friggin’ dog, I assumed he would happily chase down the twig and gnaw on it to his heart’s content, but it didn’t go that way. Basically, he cowered and yelped, approached the stick cautiously, took a wiff of it with his outstretched nose and ran for cover.

My Nintendog is an unmitigated coward.

Wednesday, August 24, 2005

Mid-Week MP3

MC Pee Pants is, in reality, a giant spider in a disposable diaper. Sir Loin is a rapping cow who’s lookin’ to collect canned goods for the shorties… and also wears a disposable diaper. And yet both these Aqua Teen Hunger Force characters are voiced by the one and only Chris Ward (A.K.A. mc chris); a man that truly has more personas than the late Old Dirty Bastard.

mc chris (note the lack of capitalization) is a voice actor, writer, and comedic rapper often associated with the nerdcore hiphop scene. Ward was born in Libertyville, Illinois, relocated to Atlanta to work with William Street Studios on Cartoon Network’s Adult Swim block, but currently lives on the road, touring with his band the Lee Majors (allegedly made up of members of NYC pop-punkers Dirt Bike Annie). His latest album Eating’s Not Cheating is for sale on his Web site, while this track, along with the rest of his first release Life’s a Bitch and I’m Her Pimp, are available for free download via the same site.

1modernboy humbly requests that you use these MP3s solely as a means of evaluation. If you like what you hear, please buy records, CDs, t-shirts, or other merchandise to support this band/artist and his/her/their label-mates. Seeing them live probably wouldn’t be a bad idea either.
Should the features artist, or the related label or distributor take issue with my inclusion of the song file, please don’t hesitate to contact me, so that the offending file can be removed.


mc chris -- DQ Blizzard

Tuesday, August 23, 2005

Is this wrong?

At what point in my life did I decide it was okay to purchase a Japanese puppy simulator?

Wednesday, August 17, 2005

Ranch

I love commercials. I simply can’t help myself. Commercials to me are the true artistic vignettes of modern society – they are one act plays that warn against the danger of feminine itch and the attest to the glory of the flip-top head. Unfortunately, fast food commercials tend to disappoint. You’d think all the money we flabby assed drive-thru types generate would provide enough scratch for them to muster up a legitimate marketing blitz, but that ain’t usually the case.

But on the horizon there is a new flaxen-haired paramour of the lustful chow hound. He is… the Ranch Tooth. Not since Quizno’s unleashed those slack-jawed, zombified hamsters on the airwaves have I been so enamored with a restaurant advertising hook.

I feel for you, simple everyman, as your Ranch Tooth vexes you at every turn. I understand your woe, and your desire for what is essentially a sandwich slathered in dressing. And yet, I envy you. Were it that I too had a comically oversized anthropomorphic molar in a Stetson to whisper Raaaaaaaaaaaaanch to me, why then I too could face this cold, cruel world with head held high and belly full. But no… alas, I have only my beer tooth the keep me company.

In short, the Ranch Tooth beats the hell outta those Burger King commercials where the thrash band in rooster helmets sing about the social revolution afforded by chicken fries.

Ah, who the hell am I kidding? I fully embrace “one kingdom under chicken fries.”

Mid-Week MP3

With school back in session for most of America’s youth, I thought I’d do one for the little ones. And what do they want? Well, I am of the opinion that kids love the ska. As such, this week’s track is from contemporary ska maven Chris Murray.

Formerly lead singer of Canadian ska outfit King Apparatus, Murray relocated to Los Angeles and started his solo work after the 1994 demise of the band. He focused on a soft, lo-fi sound that placed a special emphasis on his unique songwriting talents. His first solo outing, The 4-track Adventures of Venice Shoreline Chris, showcased this unique artist in a genre sometimes called “campfire ska.”

LA life seems to be agreeing with Chris, as his gig as host of Bluebeat Lounge at the Knitting Factory and a string of local and regional shows with his Chris Murray Combo mot assuredly attests. Chris and the Combo currently reside on LA’s own Asian Man Records -- a label owned and operated by Mike Park (of Skankin’ Pickle fame). Asian Man is a label with the unique view of exclusively supporting bands that are “anti-racist, anti-sexist and anti-prejudice.” Asian Man has also released tracks and albums from the likes of Big D and the Kids Table, The Toasters, and Screeching Weasel. Chris's albums and the works of many other fantastic acts are available for purchase through the Asian Man Web site.

1modernboy humbly requests that you use these MP3s solely as a means of evaluation. If you like what you hear, please buy records, CDs, t-shirts, or other merchandise to support this band/artist and his/her/their label-mates. Seeing them live probably wouldn’t be a bad idea either.
Should the features artist, or the related label or distributor take issue with my inclusion of the song file, please don’t hesitate to contact me, so that the offending file can be removed.

Chris Murray -- Rock Steady

Tuesday, August 09, 2005

Mid-Week MP3

Elevator Drops were a delightful synth pop band that came and went years before synth pop bands again became a marketable commodity.

While their long-awaited final album has recently been released by The Archenemy Record Company, this track harkens back to their heyday; a time when the Boston trio was signed to the Time Bomb Recordings label, one-time home of such illustrious acts as Reverend Horton Heat, Social Distortion, and Sunny Day Real Estate. Sentimental Love was the lead-in track from their 1997 release People Mover, which, coincidentally, is still available to those with the urge to look for it.

If you dig the Bowie and the Eno and the makeup and the outer space, you will most certainly dig the EDrops. They were a band that was brash, poppy, pissy, sarcastic, melodic, and quasi-literate. All of these qualities, unfortunately, never served to garner them the acclaim they so richly deserved.

While the band itself is long gone, an official site still exists, but peruse it with caution. The EDrops are prone to flights of fancy, and by that I mean liberal quantities of good-natured bullshit.

1modernboy humbly requests that you use these MP3s solely as a means of evaluation. If you like what you hear, please buy records, CDs, t-shirts, or other merchandise to support this band/artist and his/her/their label-mates. Seeing them live probably wouldn’t be a bad idea either.
Should the features artist, or the related label or distributor take issue with my inclusion of the song file, please don’t hesitate to contact me, so that the offending file can be removed.

Elevator Drops -- Sentimental Love

Me & My Brother

Are the Ying Yang Twins retarded? I mean, seriously – I’m not making fun, I’m just asking if they, either on an individual or collective level, have any sort of developmental difficulties. They were just on and old ep of Players on G4, and there’s just something not right about those two. I’m just saying.

Thursday, August 04, 2005

INXS

Last night while doing dishes I ignored the tiny, nagging voice of reason in my head that kept whispering No, no, oh God, please no… and watched a bit of Rock Star: INXS. I’m not entirely sure why, as there was a perfectly good episode of Mythbusters on at the time, but I watched, and that’s twenty minutes I’ll never get back.

It’s not that the performances where that bad, and I could almost tolerate the aura of ample cheesiness cast by co-hosts Dave Navarro (of Jane’s Addiction fame, and little else) and Brooke Burke (the vapid, sexed-up, eye candy). I reckon it’s the whole concept of the show that bugs me.

I’m not sure what Paula Yates (original INXS frontman Michael Hutchence’s widow) had to say about the deal, but it seems kind of a slap in the face of Hutchence himself. I just can’t fathom the scenario where Michael pulled his bandmates aside and said: “Alright, fellows, I just want you to know that, should I ever accidentally suffocate myself while whacking off, you lot have carte blanche to replace me via a poorly constructed television show.”

I hear that the surviving members of TLC are doing a similar show to find a suitable replacement for Left Eye, but that doesn’t exactly strengthen the argument for it.

INXS was a great band, and I was a fan. I was bummed when Michael Hutchence snuffed it, but this just seems a bit too silly a way to “revive the group and court a new generation of fans.”

Wednesday, August 03, 2005

Burninating the countryside!

And in other news, the Trogdor AIM screen name is up for sale on eBay. No shit!

For those of you not hip to the jive, Trogdor info is available here, here, and, most importantly, here.

Mid-Week MP3

With this, the inaugural week of Hipster, Please! well under way, I have opted to add what I hope to be a regular feature to my blog. The Mid-Week MP3 will be an opportunity for me to provide a little aural treat to the world at large. However, I want to do this without creating any sort of controversy, so let me take a moment to drop the following disclaimer:

1modernboy humbly requests that you use these MP3s solely as a means of evaluation. If you like what you hear, please buy records, CDs, t-shirts, or other merchandise to support this band/artist and his/her/their label-mates. Seeing them live probably wouldn’t be a bad idea either.
Should the features artist, or the related label or distributor take issue with my inclusion of the song file, please don’t hesitate to contact me, so that the offending file can be removed.


With that being said, this week’s track is Sweepstakes Prize by Mirah. It's freely available elsewhere, so I doubt there's any harm.
Mirah Yom Tov Zeitlyn is a singer/songwriter from Philadelphia, Pennsylvania currently residing in Olympia, Washington. She is presently on the K Records roster, along with artists such as Beat Happening and Dub Narcotic Sound System. This track is from her first K album You Think It's Like This But Really It's Like This (available at Amazon).

Sweepstakes Prize is a song that is breezy, minimalist, and solidly beautiful. It features a vibrant, concussive, but almost understated guitar lead, and very little other instrumentation aside from Mirah’s own sugary vocals. For more on Mirah, proceed to the K Records Web site. Download and enjoy.

Mirah -- Sweepstakes Prize (zipped via Winzip)

Excuse me, while I kiss this guy...

Now here's a chunk of randomness--

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SEATTLE - Jimi Hendrix might have stayed in the Army. He might have been sent to Vietnam. Instead, he pretended he was gay. And with that, he was discharged from the 101st Airborne in 1962, launching a musical career that would redefine the guitar, leave other rock heroes of the day speechless and culminate with his headlining performance of "The Star-Spangled Banner" at Woodstock in 1969.

Hendrix's subterfuge, contained in his military medical records, is revealed for the first time in Charles R. Cross' new biography, "Room Full of Mirrors." Publicly, Hendrix always claimed he was discharged after breaking his ankle on a parachute jump, but his medical records do not mention such an injury.

Link

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Since the military records belong to a “collector the author won’t name” the crux of the argument is foggy at best, but it’s still a fairly odd allegation. Even so, I really doubt the legacy of the Jimi Hedrix Experience and Jimi’s contribution to music will be tarnished by this “revelation.” Anyway, it just seemed too weird not to share.

At any rate, you gotta love biographical weirdness. I probably won't pick up the book, but the AP link damn sure makes for some fun cocktail conversation!

Tuesday, August 02, 2005

cheap clothes

I have been called many things. Among them, cheap twat seems particularly telling. It explains, in essence, my love affair with Target. Target sells inexpensive, durable goods at a fair price, which is nice. It’s also not Wal-Mart, which is a definite plus.

While I’m the first to admit that the whole young gent in a blazer thing has become a bit worn, I was pretty happy to find a nice, brown, sweetly casual pinstripe jacket at my local store for $35 -- compliments of our old pal Mossimo Giannulli. Most certainly not high fashion, but, if you can ignore the ubiquitous screen printing on the liner, not a bad coat for the price.